New Local Threads: Hi-Strung – “Malfunction” Review
Concept albums often seem to ride a dangerous road – too easy to marginalize of the story doesn’t carry, or…
Weaving through Denver Music, Art, Culture, and Life
Live reviews of Denver shows, including both local and national acts.
Concept albums often seem to ride a dangerous road – too easy to marginalize of the story doesn’t carry, or…
Blues Control has a reputation. The duo – Russ Waterhouse and Lea Cho, originally from Queens, NYC and now calling…
It’s been a good three years since their last release – the seminal (in so many ways) “Embryonic” – so…
Wovenhand released “The Laughing Stalk,” the Denver-based band’s seventh studio album, in September – so we may be a little…
If you’re unfamiliar with METZ, you’re behind on the buzz. Their loud, crunchy, loud, fun, loud, shit-hot, loud and aggressive…
Watt covered some major ground in that short time. From his current stint with the Stooges, to some of the history of Minutemen and his beloved San Pedro (CA), to the tour he was bout to kick off in a few days, he led me on a musical, improvisational, stream-of-thought journey – and maintained his reputation as one of rock’s nicest guys you’d ever want to talk to.
When Henry Rollins speaks, it’s kind of amazing how many – and which – people listen. His background – longtime lead singer of seminal punk act Black Flag, provocateur, film and TV star and the epitome of prolific when it comes to writing – is nothing to balk at, to be sure. But he hasn’t always been seen as the erudite, polite-alomst-to-a-fault, 21st Century renaissance philosopher that he’s grown into over the past decade.
One of Denver’s most popular New Year’s Eve parties is about to change. For the first time in about a…