Weaving through Denver Music, Art, Culture, and Life
Menacing guitar riffs and relentless drums collide with production that sounds ripped from a cyberpunk nightmare, giving Machine Girl’s presence an unsettling pulse.
By the time Violent J and Shaggy 2 Dope finally hit the stage, the room was a solid wall of facepaint, cheap soda, and inside jokes only Juggalos understand.
Miller shredded with mechanical precision, and Krauss did what she does best—launching herself into the crowd, climbing up onto the front rail, making direct eye contact with fans, and pulling everyone deeper into the chaos.
Cradle of Filth fully captivated me. You cannot deny the passion that Cradle of Filth has, and the passion that the fans send right back to the stage.
AWOLNATION exploded onto the stage, wasting no time in launching into the opening trio of “Jump Sit Stand March,” “Soul Wars,” and fan-favorite “Kill Your Heroes.”
Mayhem was founded in 1984 in Oslo, Norway, by guitarist Øystein Aarseth (Euronymous), bassist Jørn Stubberud (Necrobutcher), and drummer Kjetil Manheim.
Denver has always been a stronghold for Kristine Flaherty, better known as K.Flay, and her dedicated fanbase came out in full force. The Summit Music Hall was noticeably more packed than her last Denver show at The Marquis Theater
X played as if they still have something to prove – and maybe they did. If this really is their last tour together, they sure showed us a sweet goodbye. I’ll never forget it, and I bet no one else there will, either.
