Weaving through Denver Music, Art, Culture, and Life
Local troubadour Erik Husman – of Erik Husman and the Golden Rule – was lucky enough this week to be…
DenverThread’s guide to where you should be and what you should be seeing – and, of course, hearing – for…
For our inaugural post for Unraveler, we’ve got a treat. Guest author Mike Argeropoulous, a native of Chicago by way…
You could say that The Black Heart Procession bears a large portion of responsibility for the sound of “indie” today,…
Kissing Party – Waster’s Wall Kissing Party’s latest record, “Waster’s Wall,” still reflects a little more Belle & Sebastian than…
Aside from the fact that all the calendars around us agree, how else can you really tell Rocktober is beginning in full swing? Zombiecrawl is right around the corner, we can smell snow in the air (already!) and Spirit stores are popping up like Starbucks. And, while your heart might be racing at the prospect of next year possibly being the first (since most of you were born) to not feature a new season of The Simpsons, there’s a much more traditionally terrifying option happening at Bar Bar this weekend to kick off the 2011 mile High Horror Film Festival – the Mile High Horror Film Festival Showcase.
And, it’s FREE.
Seems like this may be the beginning of the season of harvest in music, too – at least here in Denver. This weekend features a few awesome CD releases from local bands, and more! Read on to find out about two back-to-back Hot Congress release nights and an alt-country visit from Brooklyn to the Lion’s Lair. Is it just us, or is the heavy weight of Rocktober just around the corner?
Friday night showcases some fantastic Denver indie-meets-post-punk with the release party for Kissing Party’s “Waster’s Wall” album (officially out on October 18). One of Denver’s most promising acts at the moment, Kissing Party bring together a sort of Belle & Sebastian feel to their sound, with a tint of bubble gum and a Manchester shadow.
Saturday night brings the CD release party for Sun Red, a five-piece born out of the wreckage of Denver’s (Die)Pilot, full of sweeping and tenacious prog-esque constructions spearheaded by Gene Brown’s strong vocals. Their sound wavers across indie lines that corral such masters as Stephen Malkmus or Lou Barlow, but is very much something they’ve concocted on their own.
At the risk of eliciting a chorus of jaded groans: Yes, Peter Hook & the Light, led by the bassist…
