Golden’s Erik Husman records sophomore effort @TheWalnutRoom Thursday night
March 22, 2011 Off

Golden’s Erik Husman records sophomore effort @TheWalnutRoom Thursday night

By Billy Thieme

One of the more popular new trends lately has been a band’s live rendition of an influential record from their past. It’s a pretty cool thing, too, to see bands like Pixies play albums we all grew up listening to, live, in their entirety.

It’s not often, though, that we get to share the stage with the performers to help create a recording that just might become one that everyone remembers years from now. This Thursday, local troubadour Erik Husman and the Walnut Room are offering just that opportunity. Husman, a brand-spanking new addition to the scene, out of the city of Golden – will be playing a set of all new material that night, and recording the entire affair, and will produce the result as his second release.

“I’m kind of freaking out, really,” said an almost giddy Husman when I sat across from him in a Golden bar recently. “It’s not like preparing for a gig. I’ve got to do about 180 hours of studio performance [about the time it took to record his first album] free-form, live, in one take. There’s no going back,” he added. “But it’ll be the most genuine thing, the only way to capture the real me.”

Husman’s style ranges from rough spirituals and anthems that recall Woodie Guthry and Pete Seeger with heavy influence from classic country, to a solid indie feel with a little more more than a nod to the Radiohead crowd.

What/Where This Weekend? The “Love Project” debuts, and Sunder plays at the Larimer Lounge
February 11, 2011 Off

What/Where This Weekend? The “Love Project” debuts, and Sunder plays at the Larimer Lounge

By Billy Thieme

This weekend’s one night stand will feature some photos from the “My Life” project, but is focused on “The Love Project.” As the Denver Post’s John Moore reported recently, “The Love Project” came out of De Giovanni’s deep desire to “… figure out how to recognize real love,” as a result of her last breakup. The methodology of each shoot is to open the shutter quickly, again and again and again, for one minute, and one minute only, as the couple in question attempts to show her their love. One and only one photograph is chosen to represent the couple, and becomes a vision of their connection.

Strings & Wood, local music and art non-profit, throws a 2-year anniversary tonight at the Oriental
February 4, 2011 Off

Strings & Wood, local music and art non-profit, throws a 2-year anniversary tonight at the Oriental

By Billy Thieme

If you’re unfamiliar with Strings & Wood Concerts, and your tastes run towards the more melodic and folksier side of acoustic rock, this weekend may be the perfect opportunity for you to get to know the local promoter and community advocate. Strings & Wood is celebrating their second anniversary in business with a concert and benefit that features a stellar lineup of local solo artists and musicians at the venerable Oriental Theater (44th and Tennyson in NW Denver) on Friday night, February 4th. The show will feature some of Colorado’s best acoustic and vocal bands, singer/songwriters and collaborations, as well as visual and design artists, silent auctions and even a professional on site massage therapist.

Founded by – and still run by – local professional photographer Art Heffron, Strings & Wood Concerts’ non-profit mission, according to their bio, is to promote “… live music, visual arts and social justice in the local Denver community.”
“Strings & Wood produces intimate, living-room style concerts at Denver’s top venues while striving to support the featured artists. Musicians take home 90% of the total ticket sales and 100% of merchandise sales. . .”

New Music Threads – Local heroes Veronica & The Raven & The Writing Desk offer up fun and surreal tunes, and live shows to fill your holiday nights
November 28, 2010 Off

New Music Threads – Local heroes Veronica & The Raven & The Writing Desk offer up fun and surreal tunes, and live shows to fill your holiday nights

By Billy Thieme

Three veteran Denver artists, all previous members of bands that have long since passed into legendary status – and that enjoyed that status off and on during their active years as well – have pooled their talents and love of straight ahead punk/indie rock with a simple aesthetic and an indelible stripe of mischievous humor and made a record that just about everyone can fall in love with, and have loads of fun through all of its just over 30 minutes.

Ted Thacker and John Call – wicked guitarist and gigantic drummer, respectively, who both played in Baldo Rex in the ’90s – joined with Andrew Koch , formerly of Tiger Beat, on bass to finally record 12 songs, many of which have been mainstays for the trio’s sporadic shows over recent years, and have released it independently. The title is apropos, as they’ve all three been immersed in the ephemera of becoming while the band has frequently taken a back seat. But, thanks to their dedication (and maybe a little help from the gods of awesome rock), the album has finally come together – and it’s worth every week of the time it took.

The debut from Denver band The Raven and The Writing Desk, “Recidivist,” took time to grow on me – but I’m glad I let it. On first listen I thought the record’s 8 songs would have some trouble floating out of a typical too-folky, hip and indie vibe – something Denver has plenty of, and too much of it is depressingly average. After setting the collection aside for a while, though, I found myself haunted by some of the music’s undercurrents, and succumbed to further exploration. Good thing, because the record has grown on me after delving further in and, though it still suffers at times in the way most freshman efforts do, I’m intrigued, more satisfied, and look forward to watching them grow in Denver.

Live Review: Kate Nash @theOgden, November 6th, 2010
November 9, 2010 Off

Live Review: Kate Nash @theOgden, November 6th, 2010

By Billy Thieme

What a delight Kate Nash turned out to be at her first-ever visit to Denver for an Ogden show last Saturday night. I expected her to be perfectly satisfactory; what I didn’t expect was to be challenged by and enthralled with this rising Brit-pop sensation, right from the first warbling of her remarkable voice to the final, giggling post-encore farewell.

On record, Nash is comparable to the Cranberries’ Dolores O’Riordan, at least vocally, and her songs tend toward over-wordy, romantic pop. Live, she’s a different story.

Last Saturday night she was more like Poly Styrene, the frantic lead singer of the early punk band X-Ray Spex, than a light-hearted, soft spoken folk singer. She brought a definite, mature and sexy riot grrrl aspect to her songs as well, reminiscent of a young and brash Liz Phair, and positively bled Morrissey influence from time to time, sans all the whining and dour phraseology.

Gangcharger and Smoothbore – two Denver bands release new tunes, noise in a new direction
October 17, 2010 Off

Gangcharger and Smoothbore – two Denver bands release new tunes, noise in a new direction

By Billy Thieme

There aren’t too many bands that can withstand an entire personnel change and keep going. There are even less that come back stronger for it – but Gangcharger is one that has. Ethan Ward’s love child – with huge emphasis on the love – has not only rebounded after being abandoned by virtually every member of the band over the course of late 2009, he’s driven the rebuilt band beyond anyone’s expectations, maybe beyond his own – and definitely miles beyond the previous lineup’s promise – with their latest release, “Free Exhaust.”

HeyReverb! Live Review: Sonic Youth @the Ogden – 10/04/10 – on a BRAND NEW Reverb site!
October 5, 2010 Off

HeyReverb! Live Review: Sonic Youth @the Ogden – 10/04/10 – on a BRAND NEW Reverb site!

By Billy Thieme

After last Monday night’s show at the Ogden Theater, I’m convinced that Sonic Youth are immortals – beings that refuse to age. What else explains their uncanny ability to remain constantly relevant, prescient – and continuously young – in the face of a culture hell bent on replication of the popular, and often the most vapid? Of course, we could agree that the members of this group of musicians – more a family than a band, really, after nearly 30 years – are intuitive charlatans, well-versed in manipulation of guitar strings, effects, anti-rhythms and atonality, but also steeped in the pop ethos that breeds automatic acceptance – or intrinsic danceability.

But then, you’d also have to explain short lives of other bands that sprung from that same NYC, post-post-punk, “no-wave” noise scene that attempted to espouse that same musical ethos. The truth is, Sonic Youth has proven they’re not only the only surviving band from that movement – but that they’re the most deserving.
They’re the only band that mastered the ability to turn pop sensibility on its ear, wrestle it through dissonant filters, and still know how to present the outcome in an irresistibly accessible way, without giving up any of their D.I.Y., no-wave roots.

Reverb: Nuns of Brixton, Gestapo Pussy Ranch @Bender’s Tavern, September 24th, 2010
September 25, 2010 Off

Reverb: Nuns of Brixton, Gestapo Pussy Ranch @Bender’s Tavern, September 24th, 2010

By Billy Thieme

Having seen Jim Yelenick in his other bands — the hardcore Pitch Invasion and the hilarious acousti-punk Sputnik Slovenia — I figured I’d seen the gamut of his personas, and loved them all. But none topped his loose adaptation of Joe Strummer in a full nun habit, wildly leading a packed house through a litany of the best tunes from the Clash. Yelenick fronted local quintet the Nuns of Brixton (a Clash tribute band) last night at Bender’s Tavern and put on a simultaneously heroic and hilarious show — all in full convent uniform.

The Clash, a.k.a. “The Only Band That Matters,” has forever topped my live dream list. I’m a bit skeptical of tribute bands, so I was prepared to take in a mediocre show at best, but I knew I’d enjoy just being a part of the nostalgia.