Weaving through Denver Music, Art, Culture, and Life
Menacing guitar riffs and relentless drums collide with production that sounds ripped from a cyberpunk nightmare, giving Machine Girl’s presence an unsettling pulse.
Looking for a winter playlist that actually reflects the moment? A Winter Drifts is DenverThread’s curated 200-song collection spanning indie, hip-hop, folk, and protest music—built for both shuffle listening and immersive, narrative exploration.
My Life With the Thrill Kill Kult is bringing a journey to another dimension—where the lights are lower, the beats hit harder, and the rules are flexible, or non-existant (Think: Thunderdome) to The Oriental Theater this Friday, April 3.
On Wednesday night, alchemy belonged entirely to Messer Chups, the Russian-born surf-psychobilly trio who play like they were raised in a Malibu garage in 1962 and force-fed every Cramps record at birth.
Boris performed several story-like songs which had their own unique plot, and contrasted this with shorter high-energy tracks, which served as a palette cleanser.
Svdden Death brought his notorious Voyd set to the dubstep lovers at Red Rocks on night one, setting the stage for the horrifying wubs to come.
Deadmau5 wasted zero time once he hit the stage, diving straight into a solid 90 minutes of meticulously crafted house, progressive builds, and those signature glitchy rhythms he slices up better than anybody.
The Oriental is a sweet spot for a band like Belmont: intimate enough to feel the kick drum in your chest; big enough for the crowd-surge and communal chorus effect that pop-punk thrives on.
