Tag: denverthread

DenverThread New Music Reviews – The Lumineers, Salesman
April 3, 2010 Off

DenverThread New Music Reviews – The Lumineers, Salesman

By Billy Thieme

Two new bands, both associated with Colorado, unleash some damned good EPs on the scene. The Lumineers just moved here from the insanely creative hotbed of Brooklyn, NY about 5 months ago, and we’re ecstatic to have them. After all, the flow of musicians and great music has seemed to be going in the opposite direction of late. Musically, their seven-song, self-titled EP often approaches Radiohead’s signature quiet, tied-up desperation, then moves towards the Avett Brothers’ brilliance in composition and lyricism, and channels that through rhythms that often recall civil war marches.
Salesman brings a huge, flailing guitar sound, strong vocals and soft, driven rhythms, based in Austin-by-way-of Cañon City. This four-piece answers the question: “What would’ve happened if Jeffrey Lee Pierce hadn’t died, and instead invested in a little voice coaching?” Or – maybe a lot of voice coaching.

DenverThread Live Review – Gangcharger plays a secret show at Skylark, Thursday, 03/25/10
March 26, 2010 Off

DenverThread Live Review – Gangcharger plays a secret show at Skylark, Thursday, 03/25/10

By Billy Thieme

. . . saw a Gangcharger onstage that has mastered not only its sound, but also its whole rhythmic philosophy. The sound entwines early, frantic and noisy Sonic Youth rhythms inside Kevin Shields chord habits and unleashes a sound that feels like it’s locked you in the trunk of a 1981 Camaro, as it drives at 145 MPH deep into the Western Slope towards Utah, and forces you to enjoy every minute of it.

The “Denver Sound,” long dead, makes room for lighter, noisier, funner genres in the scene
March 3, 2010 Off

The “Denver Sound,” long dead, makes room for lighter, noisier, funner genres in the scene

By Billy Thieme

The world-famous “Denver Sound” has petered out.

Which is not to say that the beautiful, often over-the-top and heavy handed gothic alt-country sound isn’t significant anymore – not at all. That sound helped put Denver back on the musical globe in the ’80s and ‘90s, and still attracts its fair share of fans. It’s still appreciated world-wide, and many remain ravenous for it – especially in Europe.

But it exists currently in a type of atrophy in Denver – it’s taken a back seat that has allowed an insurgence of more than a few different genres to begin to flourish, or re-flourish, as the case may be. Denver has a strong music scene – perhaps the strongest in the US (at the moment) – and part of its strength comes from its wide variety. So if the sometimes overbearing popularity of the “Denver Sound” – indeed the often overweighted nature of the sound itself – is waning, it can only be good news for the lighter, the more pop-y, the innovative and indie, or the more aggressive and punkier genres.

And that’s exactly what’s happening in the bar, dive, club, backyard and warehouse scene right now.

Live DenverThread Review: The Inactivists provide some sweet, sickly heartbreak for the love-challenged
February 9, 2010 Off

Live DenverThread Review: The Inactivists provide some sweet, sickly heartbreak for the love-challenged

By Billy Thieme

Scott Livingston isn’t someone you want to wrong, particularly in the arena of love. As frontman of Denver band The Inactivists, a band known for its nerdy humor mixed with artsy rock, he’s got a soapbox that’s pretty tall. And with the band’s latest record, “Love Songs and Other Songs About Love,” they’ve taken the heartbreak of a dissolved relationship and bent it into an aural sculpture on a framework of sardonic and geeky wit, and Livingston is the mouthpiece.

Even more extreme than the record, Inactivists’ live show is one to be reckoned with, and they showed it off last Saturday night (January 30) at the Walnut Room in front of an impressive crowd. Behind his electric ukelele, Livingston cuts an impressive figure that belies the internal strife his lyrics portend. He’s more than well met by Victoria Lundy’s wild and earthy performance on the theremin and Pattie Melt’s smooth, punky saxophone and accordion, Matt Sumner’s bass funk and Kelly Prestridge’s complex rhythms.

Threading The Scene: The Inactivists spread their love straight into the heart of Denver
January 25, 2010 Off

Threading The Scene: The Inactivists spread their love straight into the heart of Denver

By Billy Thieme

I’ve been introduced to the perfect collection of songs to commemorate the “holiday,” complete with the appropriate level of irony, humor and lovelorn misgivings in The inactivists’ “Love Songs & Other Songs About Love,” released last year. So much more than merely a pile of rosy, soap opera schmaltz, this record, through The Inactivists’ sharp wit and sense of humor, represents probably the most honest revelation of love from the eyes of a constantly unrequited nerd (and let’s face it, all of us have been that, at one time or another), played by a band of Muppets that landed a daily gig in a bar inside David Lynch’s cranium.

The five piece plays an eclectic style of pop that defies any one genre, and deifies many. Sometimes it’s funk from Sly & the Family Stone – albeit often with an overwhelming flavor of Morris Day & The Time – and sometimes it’s arty rock from bands like King Crimson, or sick and flirty forays into psychedelia that rival Butthole Surfers’ wildest.

The Reverend Horton Heat @ the Boulder Theater, 01/15/10 – Reverb
January 21, 2010 Off

The Reverend Horton Heat @ the Boulder Theater, 01/15/10 – Reverb

By Billy Thieme

As far as psychobilly goes, you’re not likely to find a better practitioner than Jim “Reverend Horton” Heath and the rest of his legendary trio, the Reverend Horton Heat. The Texas group graced the Boulder Theater last Friday night in the middle of a multiple night tour in Colorado. Too bad the Boulder crowd didn’t completely wake up for the show!

Melt Banana @ the Bluebird Theater – 12/07/09 – Reverb
December 10, 2009 Off

Melt Banana @ the Bluebird Theater – 12/07/09 – Reverb

By Billy Thieme

For the first 25 minutes of their set at the Bluebird Theater Monday night,Melt Banana blasted the crowd with a melange of noise and darkness — pierced only by the members’ head-mounted lights — that felt like my imagination of shock therapy, without the benefit of that thick piece of rubber they shove in your mouth to keep you from biting through your tongue. Never have I been so impressed by the venue’s sound system, nor have I ever felt the need to don earplugs so badly. And yet I, along with the smallish, half-capacity (at best) crowd, loved every ear drum piercing minute of it. So much so that when the four piece settled into more accessible, 30- to 90-second pieces with recognizable rhythms and chords for the remainder of their set, we all seemed to miss the cacophony.

Mason Jennings, Nathaniel Rateliffe & the Wheel @ the Bluebird Theater – Reverb
November 15, 2009 Off

Mason Jennings, Nathaniel Rateliffe & the Wheel @ the Bluebird Theater – Reverb

By Billy Thieme

You might think that Mason Jennings’ decision to become a member of Jack Johnson’s Brushfire label family would be an iffy move for the fiercely independent singer-songwriter that he is, and whether the association would soften his style. I did, until I saw him play at the Bluebird last Friday night. I was certain I would be subject to a too-clean, pop-folky string of bouncy, happy tunes, the ilk of which build up the majority of Johnson’s oeuvre. Not so. Jennings remains a strong, almost surly and unabashedly political songwriter, with more in common with Paul Westerberg or Elliott Smith than the lighthearted crooner.